The presence of technology is at its most noticeable when experienced at the edge of its capability. Through absurd extrapolations the digital is stretched and warped, the immaterial mediated through the physical, until collapse.















The work serves as an expression of this digital mediocrity, and an examination into the apparatus of replication. It relies upon unsophisticated artifice and facsimile; favouring unity over uniqueness, anonymity over authorship. It thrives upon parameters, presets and product suggestions; synthesising the sublime from the authority of unsung others.